There’s art every which way you look at the Muir, the star of downtown Halifax’s $200-million Queen’s Marque district. From my enormous window, I gazed over environmental artist/sculptor Ned Kahn’s installation Tidal Beacon, described as “a tower clad with a kinetic skin that ripples in the wind and sparkles like water.” It sits atop Rise Again, which is best described as a sloped roof by the sea that acts as a two-storey public area featuring wide timber stairs. Inside the waterfront hotel itself, I slept under a landscape painting and popped into its private gallery, True Colours.



